This installation explores the intricate dialogue between faith, scrutiny, and existence through the convergence of traditional hand-drawing and contemporary digital media.
The artist utilizes stippling and line-work techniques with acrylic on a custom-cut wooden substrate, reconstructing the symbolic imagery of “praying hands.” The raw, tactile edges of the wood contrast sharply with the delicate anatomical textures, creating a profound visual tension. At the heart of the sculpture lies a digital screen—a miniature “window of truth.” The rhythmic blinking of the cerulean eye within the screen disrupts the stillness of the prayer, shifting the viewer’s experience from an act of “looking” to being “observed.”
This synthesis of physical and digital realms serves as a metaphor for the dual nature of the modern psyche, navigating the boundary between reality and simulation. The work invites the audience to seek their own inner perspective amidst the silence of spiritual tradition and the pulse of technological evolution.

本作品通过传统手绘技法与现代影像技术的碰撞，探讨了“信仰、审视与存在”之间的复杂关系。
作者在切割成型的木质基底上，运用点绘与线描的丙烯技法，重构了象征祈祷与静谧的“双手”意象。粗犷的木质边缘与精致的人体纹理形成张力，而装置中心的数字屏幕则如同一扇微缩的“真理之窗”。屏幕中循环闪动的深邃眼眸，打破了静止的祈祷姿态，将观者的视角从单纯的“观看”引向“被观看”。
这种“虚实结合”的表达方式，隐喻了在数字化时代中，个体的精神内核正经历着现实与虚构的双重洗礼。它邀请观众在静默的宗教感与跃动的科技感之间，寻找属于自己的内在视角。