This series of paintings is a painterly presentation of the artist’s personal experience and spiritual intensity. The thickly applied paint texture and flowing scratches create a material reality that records gravity, time, and the traces of physical intervention during the creation process. The broken rings, the inward-curving dynamism, and the isolated falling objects in the paintings resonate on an image level with the Buddhist concepts of cause and effect, karma, and emptiness.

这组绘画是艺术家具身经验和精神强度的绘画式呈现，厚涂的颜料肌理与流动的刮痕构成的物质实在，记录了重力、时间以及创作时身体介入的痕迹。画面中破缺的环形、内卷的动势与孤立的坠落物，在图像层面上与佛学中关于因果业力的流转以及空性的概念相呼应。