From pinhole imaging to modern lenses, humanity comprehends the world through apertures. As we shift from tactile reality to flat images and textual symbols, efficient information dissemination enables rapid understanding. However, this simultaneously collapses our sensory perception, eroding spiritual value and the exploration of meaning.
The exhibited works represent a struggle against this dissolution. By tearing the canvas, the artist fractures traditional two-dimensional viewing habits and deconstructs the simulation of spatial depth. This disruption encourages multi-dimensional interpretations—whether from a bird’s-eye perspective, through physical depth, or via conceptual grafting. Ultimately, this approach seeks to evoke a genuine “bodily” sensation, moving far beyond the mere intellectual interpretation of a flat image.

从小孔成像到镜头纪录，观察者通过圆形晶体穿过数个孔洞完成对世界的认识与理解，从现实的触碰到扁平的图像与文字符号，信息传播的便捷与效率让世人能快速的凭借前人的经验理解这个世界。但随之而来的便是感知能力的瓦解，失去精神价值，意义与灵魂的探索。
本次展出的作品便是在这样的质疑中的一丝挣扎，撕裂的画布意在打破原本二维平面的观看方式，也是对于纵深空间模拟性的一次消解，使作品可以在观看和理解上都产生多个维度的理解，俯视，纵深，或是概念性的嫁接。企图通过这样的方式产生真实的”身体”感受，而是不仅是关于图像的解读。